Katri Konttinen – Spotting AVA – Interpretations through installation work

The Installation Spotting AVA - Interpretations through installation is part of my master´s studies in Applied Visual Arts; it is the artistic part of my final thesis/a visualization of my master´s thesis research. The work can be seen as a visual presentation, an audit trail mapping the research journey I have been taking during my studies. The research focuses to the concept of AVA, and how it is seen in relation to the fields of art and design. Another aspect of the research focuses to the value of visualization in AVA research for which I mostly wanted to create the installation. The working process of the installation has been a long process, starting from 2011 when I first came to Rovaniemi and got interested in rivers, inspired by the river Kemijoki. River as an element is fascinating and in some level I knew that I wanted to work with rivers, though I did not then know what is was going to be. After that I have been working with RiverSounds – JoenÄäniä-project, which is also presented by documentary pictures in the exhibition. I spend the spring 2013 in Ayr, which is located in the west coast of Scotland, doing my exchange studies. As I found out about river Ayr, which streams through the town Ayr, the decision was made to include rivers as part of my research. In Scotland I was working mostly with sounds and photographs, creating a soundscape-map from the town as I heard it. I was following the river, which splits the town and collecting sounds and photographing the surroundings. I started also to write the rivers into my final thesis as they seemed naturally to find their places there. When I returned to Finland and to Rovaniemi, I started to collect materials from the river Kemijoki and at that time the two rivers (Ayr and Kemijoki) had already taken very central places in my research which can be seen in the installation. The installation connects the two places (Ayr and Rovaniemi), through place-specific elements (photographs) and through bringing the two rivers visually together. The work explores the places by showing place-specific elements from both places and bringing them together by an interdisciplinary bridge. The process has been very precious to me and even more precious when I have come to realise the strong connections between my research and the installation.

The day has arrived!

Today is the rewarding day of the seminar and the exhibition opening. In Kemi art museum we share our experiences and stories. In the seminar we have interesting speakers giving their perspective on Applied Visual Arts. Welcome! Graphic design of the poster: Elina Hollanti

“Well…You are not doing this for money, right?”

Pheew, today was a long day. The second day of setting up the exhibition started out nicely for we got the milk dock of Riitta Johanna Laitinen’s On a Milk Dock Journey into the museum space. Oh, how many stories it can tell and how many emotions it can connect. Everybody worked really hard and the exhibition is almost ready for the press and opening. The thing which is great in our group of artists is the communication and the fact that we are actually interested in what’s happening in each ones life. Even the difficult parts of setting up and building went along nicely when everybody was chatting and catching up the gossips 😉 .

One of the talks today, we had almost in the end of the day, was the reason we, applied visual artists, are doing our works and now the exhibition. We are definitely not putting the huge effort into the artworks because of money. We are not even sure that do we sell the works which are now presented in the exhibition. The artworks are the realization of something else, of a process, of a mutual experience, of a story or all of them. Documentation, however, is not enough. We are professionals in aesthetic and visual fields. We also want to share as much as we can about the feelings, about the places and about the whole projects.

At one point, in a situation when we understood the amount of hours we put into our artworks, we were wondering out loud: “Don’t you think there has to be something weird in a person to do this voluntarily, and to do it always?” One person, who we thank so very much for all the help in getting the photos straight and lights right, asked us then :”Well…You are not doing this for money, right?” And no, we are not doing our applied art because of money. However, we are planning to make a living too. Luckily, we don’t have to rely on always selling the artworks. We are selling our skills and expertise, and those we have an awesome variety in this group!

Arrival to Kemi. First day of setting up the exhibition

Today most of us and most of the works arrived to the art museum. It was a kind of Christmas when we opened the packages and the works had survived the journey to Kemi. The willow bird for example had to travel over 100 km in a car, with its head sticking out. Some of us also saw the final prints and canvases the first time today. Whoo, happy day, they turned out nice. We are so excited to set up the exhibition and see it as a whole. Applied Visual Arts rocks!

Rachael Brown is coming to the seminar!

Rachael Brown is coming to the seminar. She will be talking about Impact Arts, which is one of the largest community and socially engaged arts organization in Europe. This perspective from Scotland is worth hearing!

Sofia Waara building the ‘Local Notion’

Can't wait to see and hear this. This installation and sound scape is inspired by the river.

Katri Konttinen and building the “Spotting AVA”

In addition to great social skills it is good for the applied visual artist to have knowledge in practical matters.

Christa Haataja, Tanja Havela ja Tommi Kohonen – a Journey to the Land of the Forest Sami

The background for the exhibited work is in the collaboration in Samiland-
project. As a result of the project we designed and implemented the
exhibition about Forest Sámi in Levi Samiland-exhibition. The history of
Forest Sámi with its special culture, following naturalistic cycle of time,
has been thought long gone. The latest studies, however, suggest that it is
still affecting in our time.
The traces of past are versatile and they tell different stories to people.
In the exhibited work entity, we have researched and interpreted those
stories via our own backgrounds. The strongest affect on us has been
the presence of landscape in time, and the marks the time has left. The
connection between Forest Sámi and the nature, and also the strong
elements of nature are the guiding our interpretation. The everyday
tasks and circle of life went hand in hand with the holy dimension. The
presence of them can be seen around one fire.

Antti Stöckell – SPRING

The aim of the art project SPRING is to tell through art the importance
of clean groundwater springs. The project is taking into account the
scientific, cultural historical and experiential dimensions of the groundwater
spring’s place. In the map of Finland, are marked with more than
twenty thousand springs. In terrain it is possible to find many times
more springs compared to the maps. South from Lapland more than
90% of the springs are either changed or completely destroyed as a result
of the construction and land use.
Birch bark cup is a traditional way to drink spring water. In this project
I have visited on springs in the area of Rovaniemi and made two birch
bark cups at every spring. One of those I have left to the place, other one
I have taken with me. These cups are essential part of my installation in
the exhibition. Clean and abundant wellspring of groundwater is not
at all self-evident in Finland, not to mention worldwide. Springs are
marvelous power places which have their own micro-world. I started this
project on spring 2013 and I am going to continue it as long as I am able
to walk.

Salla-Mari Koistinen – w/,with, kanssa

Actually, You are looking at it.

 

w/ , with, kanssa is a work based on contemporary interaction. The work
is continuing the exhibition space to social media. Internet and social
media have changed the view of public space, participants and actors.
The aim is to create a possibility to take part into the exhibition also
from elsewhere than being present in Kemi Artmuseum. The virtual
environment gives also an opportunity to continue the conversation after
the exhibition, which shapes the artwork with a contribution of every
participant.